The Brabant Ensemble specialise in comparatively out-of-the-way Renaissance repertoire, so their choice of the Missa Ad coenam Agni is in this sense logical. Ad cenam Agni providi. The Lamb’s High Banquet We really a different hymn entirely. The revised hymn can be found under the title of Ad regias Agni dapes. ICON, SOURCE. , Pdf. , Midi. , Music XML. , LilyPond. , Sibelius. File
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The two short motets Haec dies and Alleluia. The canonic interval varies between the lower and upper fifth, and is stated at several temporal distances, most frequently two or three breves.
Esto perenne mentibus paschale, Iesu, gaudium et nos renatos gratiae tuis triumphis aggrega.
Now Christ, our Paschal Lamb, is slain, the Lamb of God that knows no stain, the true Oblation offered aagni, our own unleavened Bread sincere. My only reservation concerns their Ad coenam Agniin which the matching of pitch-levels for polyphony to plainchant is a little uncertain.
Palestrina : Missa Ad coenam Agni – Musica Kaleidoskopea
Usually sections are completed by both choirs coming together to iterate the text once more. Protecti paschae vespero a devastante angelo, de Pharaonis aspero sumus erepti imperio. Eastertide motets Missa Ad coenam Ceonam.
Palestrina has often been described as having achieved the perfect balance between the horizontal and vertical aspects of musical construction, and the enduring popularity of such works as the Missa Papae MarcelliMissa breviscoejam of a handful of motets such as Sicut cervus and Tu es Petrusattests to the esteem in which he is held. Fill in your details below or click an icon to log in: Tulerunt Dominum is slightly more unusual from a liturgical point of view, since although the text appears as a Magnificat antiphon on Friday in Easter week, in this form it lacks the initial Alleluia set by Palestrina.
Missa Ad coenam Agni is no dry compositional exercise, however: Tulerunt Dominum are both based on texts for the Proper of the Mass.
Cuius corpus sanctissimum in ara crucis torridum, sed et cruorem roseum gustando, Deo vivimus. Angelus Domini 2, 5vv. That Paschal Eve God’s arm was bared, the devastating Angel spared: Hyperion offers both CDs, and downloads in a number of formats.
The Brabants seem very much at home here, more so perhaps than in some of their less familiar stylistic excursions. None of these pieces exceeds three minutes but each is a finely crafted addition to the liturgy.
Surrexit pastor bonus and the eight-part Regina caeli one of two eight-voice settings of this Marian antiphon are of the very finest quality. Gramophone’s expert reviews easier than ever before. Den beiden kurzen Motetten Haec dies und Alleluia.
His motets saw greater commercial success, with seven volumes appearing during his lifetime, though many remained in manuscript until the publication of the late nineteenth-century edition, by F X Haberl and others, which appeared between and View all posts by f.
Streams Videos All Posts. This group has a pure sound that is the product of painstaking ensemble work but does not foreclose expressive phrase shapes and crescendos. Giovanni Pierluigi da Palestrina. Terra tremuit, 5vv Giovanni Pierluigi da Palestrina.
A superior recording of a cappella Renaissance choral music. Lauda anima mea, 5vv Giovanni Pierluigi da Palestrina. Surrexit pastor bonus, 8vv. Iam pascha nostrum Christus est, agnus occisus innocens; sinceritatis azyma qui carnem suam obtulit. Stephen Rice, CD booklet. A D cenam Agni providi, stolis salutis candidi, post transitum maris Rubri Christo canamus principi. After having been out of fashion for some time, the music of Giovanni Pierluigi da Palestrina is once again attracting Renaissance performers.
To Thee who, dead, again dost live, all glory Lord, Thy people give; all glory, as is ever meet, to Father and to Paraclete.
Palestrina : Missa Ad coenam Agni
Les deux courts motets Haec dies et Alleluia. Notify me of new comments via email. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
As is customary, several movements feature reduced scoring, with the canonic voice dropping out in most cases, permitting greater compositional freedom. The Regina caeli reserves the double-choir antiphony for the final section, the first two verses being taken by one choir each, but once both choirs are working simultaneously the interplay between them is joyous indeed, particularly in the extended Alleluias.
Upon the Altar of the Cross His Body hath redeemed our loss: Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Leave a Reply Cancel reply Enter your comment here Song of Songs, Vineam meam non custodivi. As is customary, several movements feature reduced scoring, with the canonic voice dropping out in most cases, permitting greater compositional freedom.
The accompanying motets are almost all celebratory in feeling, even when the subject might suggest a less optimistic reading as in Terra tremuit ; they respond in kind. The effect in Palestrina is magical: Sanctus and Benedictus Giovanni Pierluigi da Palestrina. The Brabant Ensemble brings a matchless blend of musicianship, scholarship and sensitive singing to this glorious music.
That so much music by a leading master of the Renaissance remains largely unknown provides an opportunity to discover many hidden gems.